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In the Theater and Dance Department’s final production of the year, it’s not only the tommy guns that are smokin’. “Chicago” is bringing a sexy, sassy musical to campus and lets its viewers laugh and
The 1920s mood was set outright as the live onstage band warmed their instruments with jazz behind the still closed curtains. As the crowd was engaged in their pre-show conversations, a shrill whistle drew glances to the front of the stage where the murderess Mona (Lauren Schultz), stood clad in nothing but a corset and stockings.
And so the show began.
The rather revealing costumes would suggest a dozen ice cold butt cheeks on stage, but between the quick scene changes and dance routines—involving cartwheels by Velma (Noelia Antweiler) Roxie (Anne Mason) no less—the actresses, and crowd in extension, rarely have a moment to breathe.
The tempo the ensemble establishes, along with the band’s flawless live performance, stands in great combination with the creative and truly funny characters in the show.
Anne Mason brings the physical energy that a character such as Roxie Hart simply demands. This energy is held through the show, with one highlight during the classic puppet scene where Billy Flinn (Samuel Ross West), moves and talks for Roxie.
Her female counterpart, Velma Kelly is right there with her. Noelia Antweiler brings great energy, vocal performance and equal parts dorky, funny and crazy into her character, which makes Velma’s character one to be remembered.
Yet, none of their performances would have been half as astounding or hilarious without their fellow actors, including the well executed physicality of character Fred Casely (Jonathan Hallowell), the egotistical and pompous Billy Flinn and Mama Morton’s (Jackie Darnell) body confidence and blasé attitude.
One character who certainly won the audience members’ hearts was Amos Hart (Corey D. Winfield). From the classic “Mr. Cellophane” to his final and endearing exit, Winfield brought alive the sweet, likeable and timid character that Amos needs to be.
Bringing the sex appeal, the high kicks and feathers fans was the ensemble. From the murderesses to the jury, who were all played by Sean Higgins in humoristic variety, “Chicago” made it all fit.
“Chicago” is something that the ensemble and crew have obviously put a great deal of work into show to give it a feel of the great city and jail on only one stage and without changing entire sets and which will make this last production of the school year one to remember for a long time.
After a moderate triceps workout due to clapping that passionately and long for the final bows, I must say that “Chicago” is show that was long overdue.
David Demic
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